Entertainment & Pop Culture

Calming Indie Folk Soundtracks from A24 Horror Films

A curated collection of melancholic and atmospheric indie folk tracks featured in A24 horror and thriller movies, selected for their ability to soothe rather than frighten. This list highlights the genre's unique blend of organic instrumentation and emotional depth, perfect for relaxation, study, or late-night contemplation.

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Items: 20
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Spencer (Original Motion Picture Soundtrack)

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Composed by Mychael Danna, this score blends delicate piano melodies with subtle, eerie ambient textures. The piece "Spencer's Theme" offers a hauntingly beautiful folk-inspired tone that feels more introspective than terrifying, ideal for quiet reflection.

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Hereditary (Original Soundtrack)

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Colin Stetson’s use of bass clarinet and cello creates a deep, resonant soundscape that, while unsettling, possesses a profound meditative quality. Tracks like "Ari's Theme" and "Lullaby" provide a slow, rhythmic drone suitable for deep focus or calming anxiety.

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The Lighthouse (Original Motion Picture Soundtrack)

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Mark Korven’s score utilizes unconventional instruments and folk-inspired drones to evoke isolation and madness. Despite the horror context, the acoustic guitar interludes and low-frequency hums create a stark, immersive atmosphere perfect for grounding and mindfulness exercises.

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Midsommar (Original Soundtrack)

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Ari Roth and Robin Carolan’s score features traditional Swedish folk instruments and choral elements that are serene and pastoral. The track "The Sun Song" has a driving, hypnotic rhythm that can be surprisingly uplifting and comforting when stripped of its narrative horror context.

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It Comes at Night (Original Motion Picture Soundtrack)

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Christopher Young’s composition relies on sparse, minimalist piano notes and ambient noise that create a sense of stillness. The lack of traditional melodic hooks allows listeners to use it as a blank canvas for meditation or quiet background noise.

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The Witch (Original Motion Picture Soundtrack)

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Rob Simonsen’s score heavily features period-accurate folk instrumentation, including hurdy-gurdies and wooden flutes. The melancholic melodies capture the bleakness of the setting but offer a raw, acoustic beauty that is deeply engaging for fans of historical folk music.

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Ready or Not (Original Motion Picture Soundtrack)

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Christopher Lennitzer’s score mixes orchestral tension with quirky, folk-tinged melodies that reflect the film's dark comedy. The lighter, acoustic moments provide a stark contrast to the action, offering a playful yet relaxed listening experience.

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Men (Original Motion Picture Soundtrack)

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Ben Salisbury and Geoff Barrow’s score blends industrial sounds with ethereal, folk-like choirs and acoustic guitars. The track "The Green Man" offers a mystical, nature-inspired vibe that is both eerie and strangely comforting due to its organic instrumentation.

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Possessor (Original Motion Picture Soundtrack)

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Rob Simonsen creates a dense, atmospheric soundscape that, despite its sci-fi horror roots, contains long stretches of ambient folk textures. The focus on sustained notes and sparse guitar lines makes it a viable option for deep work or relaxation.

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Ex Machina (Original Motion Picture Soundtrack)

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Ben Salisbury and Geoff Barrow’s score is primarily electronic but features prominent, melancholic piano and string arrangements that feel intimate and folk-inspired. The minimalism and emotional resonance make it excellent for calming down after a stressful day.

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Annihilation (Original Soundtrack)

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Ben Salisbury and Geoff Barrow’s score is known for its lush, string-heavy compositions that build slowly into overwhelming crescendos. The initial, quieter sections feature gentle, arpeggiated motifs that are beautiful and soothing, masking the underlying tension.

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The Looming Tower (Limited Series Soundtrack)

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While not a movie, this A24-associated series features a score by Daniel Pemberton that blends mid-eastern folk motifs with modern orchestration. The intricate acoustic guitar work and traditional instruments provide a rich, cultural depth that is intellectually stimulating yet relaxing.

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Under the Skin (Original Soundtrack)

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Mica Levi’s avant-garde score is unconventional, but the tracks featuring spoken word and soft cello drones can be surprisingly grounding. The lack of traditional structure allows listeners to project their own calm narrative onto the ambient sounds.

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The Florida Project (Original Motion Picture Soundtrack)

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Chris Gunning and Michael J. Levin’s score captures the innocence and hardship of childhood with simple, acoustic melodies. The use of glockenspiel and light piano creates a nostalgic, folk-like warmth that is perfect for relaxing evening listens.

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Eighth Grade (Original Score)

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Rob Simonsen’s score for this coming-of-age drama uses subtle electronic beats blended with soft acoustic instruments. The minimalist approach creates a modern, lo-fi folk atmosphere that is ideal for studying or unwinding without being distracting.

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Elevation (Original Motion Picture Soundtrack)

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While primarily known for sports, this film’s soundtrack features inspiring, folk-influenced acoustic tracks that are uplifting and calm. The emphasis on natural sounds and simple guitar strumming aligns with the relaxation goal through themes of nature and perseverance.

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The Rider (Original Motion Picture Soundtrack)

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Sergio Martinez’s score uses ambient sounds of the landscape and sparse, acoustic guitar to mirror the protagonist’s internal state. The authenticity of the folk instruments and the quiet, contemplative pacing make it a deeply soothing listening experience.

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The Farewell (Original Motion Picture Soundtrack)

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Lena Dunham’s score, though from a different studio, is often associated with the indie drama aesthetic promoted by A24. It features gentle piano and string arrangements that evoke a sense of peaceful acceptance, fitting the relaxation theme perfectly.

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Minari (Original Motion Picture Soundtrack)

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Emile Mosseri’s score blends Korean folk traditions with American indie folk sensibilities, using gentle piano and string arrangements. The warmth and emotional resonance of the tracks provide a comforting, narrative-driven listening experience that is both moving and relaxing.

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Promising Young Woman (Original Soundtrack)

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Kris Bowers’ score incorporates jazz and orchestral elements, but the quieter, piano-led tracks offer a moody, introspective vibe. The atmospheric tension is resolved by moments of lyrical, folk-adjacent melody that can serve as a calming backdrop for creative work.