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因此又创造了形声法来造字。And therefore people created a sound law-shaped characters.

“亦声”就是意兼声，是一种既不同于会意又不同于形声的特殊结构。"Yisheng" contains idea and phone, it is a special structure different from idea oriented and pictophone.

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丑艺术是艺术形式的色形声对形式美规律的背反，与反映对象的美丑善恶无关。The art of ugliness, a betrayal of normal beauty, is irrelevant to the attributes of the reflected objects.

丑艺术是艺术形式的色形声对形式美规律的背反，与反映对象的美丑善恶无关。The art of beauty is accordant with the rules of beauty, while the art of ugliness demolishes the rules of beauty from bottom.

在汉字中形声字的数量是很大的，说明形声造字法具有强大的生命力。Chinese characters have a large number of pictophmetic characters, which illustrates the formation of pictophmetic characters possesses powerful vitality.

与西周时期相比，表意类下降了5.84个百分点，而形声类则上升了5.96个百分点。Compared with the Western Dynasty period, the Semantic characters descended with 5.84 percentages, while Picto-phonetic characters increased 5.96 percentages.

假借、形声是汉字和汉语历史上的两个重要阶段，汉字由此获取表音特点。Character -loaning and pictophoneticization are major phases in the history of the Chinese language, through which the Chinese characters obtain the sound-indicating feature.

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对此从形声字字义与义符义的关系来谈谈形声造字法形义结合的统一性。This paper talks about the unify of combination of form and meaning of formation of pictophmetic characters in aspect of relationship between meaning and symbol of pictophmetic characters.

西周金文字素表声功能的构字量很低，在汉字形声化过程中，声符数量的增长是形声字增长的主要手段。The ability of phonetic complements forming characters is low, so in Chinese characters, phonetic complements expanding is the main method to expand the pictograph-phonetic combined characters.

本文在吸取众多学者有益成果的基础上，对传统“六书”作为汉字构形的演化，尤其对其中的“假借、转注、形声”进行了分析和评价。Based on a quantitative analysis, this article mainly focuses on the research of the reclassification of modern Chinese pictophonetic characters according to their word-shape, sound and meaning.