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新闻侵害肖像权是目前一个很突出的问题，是新闻侵权行为的主要表现形式之一。As a kind of media tort, it is an outstanding issue that iconology right of characters in news reports is infringed on by journalists.

正如拉里·尼尔所述，黑人美学“主张一种不同的象征主义、神话、批评方法和图像学”。As formulated by the critic and poet Larry Neal, the black aesthetic "proposes a separate symbolism, mythology, critique, and iconology."

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图像学和符号学同属于西方学术研究的模式，都可应用于视觉文化的研究。Iconology and Semiotics are the models applied in the western academic study. Meanwhile, they can be employed in the study of visual culture.

深圳市雄丰达科技有限公司，是一家具有多年锡渣解决方案的专业技术企业。Fend Science and Technology LTD. in Shenzhen province. It is an iconology which has a stage professional technology for dealing with tin dross.

随着市场经济的发展、人们价值观念的变化和科学技术的迅猛发展，新闻侵害肖像权问题屡有发生。With the development of market economy, science and technology and change of peoples values, the media lawsuit of iconology right frequently occurs.

利用图像学、符号学的研究方法，总结了契合图形装饰语言的艺术特征，较为详细地解读了契合图形装饰语言的构成规律和形式特点。Summing-up the art characteristic of the inlay pattern by the method of the Iconology and the semeiology, and unscrambled the composing rules in details.

本文共由五章构成，试图从形式分析、图像学和情境分析三个维度对西方艺术史学史进行建构。It constructs the history of Western art history from three dimensions of the form analysis, iconology and situational analysis. Chapter I is an introduction.

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本文从对图像学的哲学背景与学理的分析出发，把它放置在一个开放的、批评的视觉文化平台上进行考察。This treatise is based on the analysis of the philosophical fundamental of Iconology which has been scrutinized in purpose on an open critical platform of Visual Culture.

中文摘要本文研究苏旺伸自1988至2006年作品中，犬形的转变与衍伸而来的诸多意涵，著重于图像学中文化、社会面向来加以探讨、诠释。This thesis studies on transformation of dogs figures of Su Wong-Shen s artworks from 1988 to 2006. We interpret his artworks in cultural and social ways by using iconology.

图像学在艺术史中是一种重要的解读图像的研究方法，并且与当下的视觉文化研究有着密切的联系。Iconology is a critical study methodology of understanding the meanings of images in Art History, and has an immediate connection with the contemporary Study of Visual Culture.

本文试图通过阐释西方中国艺术史研究中的风格分析、图像学研究和情境分析三大方法来重构西方中国艺术史学史。This paper tries to reconstruct the history of the Western Chinese art history by interpreting "Stylistic Analysis", "Iconology" and "Situational Analysis" applied in West-ern Chinese art history.