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班卓琴，怪诞的幻想曲，作品15。Le banjo, Fantaisie grotesque, Op. 15

烟花，为大型乐队而作的幻想曲，作品第四。Fireworks, Fantasy for big Orchestra, Op. 4

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交响幻想曲，作品49，“波希奥拉的女儿”Symphonic Fantasy, Op. 49, Pohjolas Daughter.

这本书本身就像一张精美的蜘蛛网，一曲美丽的幻想曲。A fantasy that has the beauty and delicacy of the web itself.

在这里称颂她的福音根源是我们的美国偶像，幻想曲！Heretopay tributetoher gospel roots is our American Idol, Fantasia !

安东尼奥尼拍摄的唯一一部美国电影，一部关于1960年代晚期的无调性幻想曲。Michelangelo Antonioni's only American film, an atonal fantasia on the late 1960s.

幻想曲还介绍了立体声到电影院的一种元素，并非受雇于其他工作室，直到以上十年后。Fantasia also introduced stereophonic sound to theaters, an element not employed by other studios until more than a decade later.

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凭借演员们独特的演绎风格，英国壁虎剧团运用喜剧的表演方式，融合电影想象、肢体语言以及引人入胜的音乐，为观众奉上一部关于爱情，欲望，贪婪的幻想曲。With their trade-mark inventive style, award-winning Gecko creates a fantasy of love, greed and desire using comedy, cinematic imagery, movement and evocative music.

第二章主要讨论幻想曲的发展与特色，以及促成单乐章协奏曲发展之主要音乐家与作品特色。The second chapter presents the development and the characteristic of fantasy, the advance of single movement concerto , the style and the feature of Polish dance music.

本文旨在分析乐曲中统整素材与幻想曲结构间的组合或对立关系，特别是二度音程在乐曲中的角色地位，期望能提供演奏、教学或相关研究者更完整而深入的资料。The role of the second intervals in the etude is especially noted. The result may provide interested performers and scholars an in depth understanding to his piano music.

细胞动画是老派前电脑动画电影的风格，采用经典的迪斯尼幻想曲等，其中每帧是手工绘制，创造了运动错觉。Cell animation is the old-school pre-computer style of animation used in classic Disney movies such as Fantasia in which each frame was hand-drawn to create the illusion of motion.

志同道合，慎重，真诚是交友的永不休止的三个音符，奏出奇妙的幻想曲，演义出人生的真谛，升华文明的精髓。Like-minded, careful and sincere is the friends of the never-ending three notes, play the wonderful Fantasy, Romance out the true meaning of life, sublimated essence of civilization.

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而变色龙式的酒红落地幔纱，红黄绿白紫七彩交错，螺旋形水晶灯更将简单的浪漫单符弹奏成一首立体的幻想曲。And the gauze of curtain of wine red be born of chameleon type, red olivine trillium 7 colour crisscross, gyroidal crystalline light more simple romantic sheet accord with plays a stereo fantasia.

他的表现就像融合了一个幻想曲作曲家的灵感和一个实践者的完成一样，完全就是古典足球中一个纯粹的模范10号，他用一连串有速度有技术的表现鼓舞着队友，技术上来说完美的干预比赛带领队友前进。This was the performance of a complete No10 in the classic mould, a fantasist and a finisher in one package, inspiring his colleagues with a flow of nimble-witted, technically flawless interventions.