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丑陋重复错误他宣称诅咒。Caliban repeats the mistakes he claims to curse.

正如卡列班在镜中看见自身时的狂怒。The rage of Caliban seeing his own face in a glass.

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凯列班和蒙田笔下的食人族相比又如何？How does Caliban compare with Montaigne's Cannibals?

正如卡列班在镜中看不见自身的狂怒。Is the rage of Caliban not seeing his own face in a glass.

最后，而且最悲惨地，丑陋变成一个他自己的。Finally, and most tragically, Caliban becomes a parody of himself.

费迪南计划与她结婚而丑陋已经尝试掠夺她。Ferdinand plans to marry her, while Caliban has attempted to rape her.

丑陋和普洛斯彼罗的其他仆人，瞪羚反映并且对比。Caliban both mirrors and contrasts with Prospero's other servant, Ariel.

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亚瑟王传说中的梅林和莎士比亚笔下的卡利班就是两个著名的扮人妖。Merlin of Arthurian legend and Shakepseare’s Caliban are two famous cambions.

菲奥娜教了我一段卡利班的戏剧对白，我后来就用这段进了戏剧学校。Fiona taught me a Caliban speech, which I later used to get into drama school.

而凯列班则选择继续为奴，这个对比所要阐述的“自由”是什么？Caliban elects to remain in servitude. What ideal of "freedom" lies behind this contrast.

在他的第一演说普洛斯彼罗中，丑陋坚持普洛斯彼罗偷了来自他的岛。In his first speech to Prospero, Caliban insists that Prospero stole the island from him.

超越这点，那么有时它遗留只是卡利班或是魔鬼。Exalted beyond this, as it sometimes is, it remains Caliban still and still plays the beast.

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十九世纪对现实主义的憎恶，犹如从镜子里照见自己面孔的卡利班的狂怒。The nineteen-century dislike of Realism is the rage of Caliban seeing his own face in a glass.

十九世纪时对写实主义的轻蔑，如同狂人卡里班在镜中撇见自己的脸一般。The nineteenth century dislike of realism is the rage of Caliban seeing his own face in a glass.

普洛斯彼罗提供的凯列班的形象也仅仅是他自己的发明，我们不能以此来界定他。The image of Caliban provided by Prodpero is his own invention and we cannot define him in this way.

十九世纪时对浪漫主义的轻蔑则如同狂人卡里班看不见自己在镜中的脸一般。The nineteenth century dislike of romanticism is the rage of Caliban not seeing his own face in a glass.

他的丑陋处罚是琐碎的和有报仇心的，如同当他诅咒的时候，他在他的精神之后呼叫掐丑陋一样。His punishments of Caliban are petty and vindictive, as he calls upon his spirits to pinch Caliban when he curses.

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听众决定相信哪一个性仰赖无论它看丑陋如固有畜生般或依照藉着压抑制造畜生般。Which character the audience decides to believe depends on whether it views Caliban as inherently brutish, or as made brutish by oppression.

米兰公爵普洛士帕罗和女儿蜜兰达、野人卡力班和精灵爱丽尔一起住在一座魔法岛上。Prospero , the true Duke of Milan is now living on an enchanted island with his daughter Miranda, the savage Caliban and Ariel, a spirit of the air.

人们对它的认识源于一种道德责任感，而莎界对凯列班的讽刺逐步深化了这一认识。The cognition of the colonialism in The Tempest stemmed from a moral obligation and became deepened in the satire on Caliban in Shakespeare's world.